{"id":55232,"date":"2018-02-14T00:01:37","date_gmt":"2018-02-14T00:01:37","guid":{"rendered":"http:\/\/www.imhd.nl\/log\/?p=55232"},"modified":"2018-02-14T01:24:43","modified_gmt":"2018-02-14T01:24:43","slug":"feit-en-fictie-2","status":"publish","type":"post","link":"https:\/\/www.imhd.nl\/log\/feit-en-fictie-2\/","title":{"rendered":"feit en fictie (2)"},"content":{"rendered":"<p><em>feit en gevoel, feit en gevoeligheid, als je het mij vraagt na het lezen van Rachel Cusk<\/em> <!--- p. 29, cusk, a life's work ---><\/p>\n<p>The reattachment of the subjective self to the material object is where much of the labour of writing lies \u2013 labour because, in this one sense, writing feels like the opposite of being alive. The intangible has to be reversed back into tangibility; every fibre of subjective perception has to be painstakingly returned to the objective fact from whence it came. The temptation is to elude this labour by &#8220;making things up&#8221;, by escaping into faux-realities or unrealities that are the unmediated projections of the subjective self. This is not the same thing as imagination or inventiveness: the feeling of not believing something you are reading arises not from the fact\u00a0that it is set in Hogwarts School but from the suspicion that it is pure projection. A writer who knows how\u00a0to\u00a0give subjective content an objective\u00a0form can be as far-fetched as\u00a0she likes.\u00a0A writer who doesn&#8217;t can\u00a0make even the most creditable things unbelievable. <small>\u2013 Rachel Cusk<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>feit en gevoel, feit en gevoeligheid, als je het mij vraagt na het lezen van Rachel Cusk The reattachment of the subjective self to the material object is where much of the labour of writing lies \u2013 labour because, in this one sense, writing feels like the opposite of being alive. The intangible has to<a href=\"https:\/\/www.imhd.nl\/log\/feit-en-fictie-2\/\" class=\"read-more\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[122],"tags":[2490,1095,474,1951],"_links":{"self":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts\/55232"}],"collection":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/comments?post=55232"}],"version-history":[{"count":2,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts\/55232\/revisions"}],"predecessor-version":[{"id":55316,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts\/55232\/revisions\/55316"}],"wp:attachment":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/media?parent=55232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/categories?post=55232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/tags?post=55232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}