{"id":54817,"date":"2018-01-06T00:01:43","date_gmt":"2018-01-06T00:01:43","guid":{"rendered":"http:\/\/www.imhd.nl\/log\/?p=54817"},"modified":"2018-11-06T07:01:24","modified_gmt":"2018-11-06T07:01:24","slug":"schrijftheorie","status":"publish","type":"post","link":"https:\/\/www.imhd.nl\/log\/schrijftheorie\/","title":{"rendered":"schrijftheorie"},"content":{"rendered":"<p>Oh, honderd redenen om te schrijven, waarom schrijf je, elke dag een ander antwoord, zelden de vraag wat het iemand brengt. Anne Sexton (vul een andere schrijver in) schreef niet omdat ze dood wilde (goh, treurig!), ze bleef langer leven doordat ze schreef. <\/p>\n<p><em>[Woorden vullen je maag, niet je hoofd.]<\/em><\/p>\n<p><em>[Bij het lezen van een biografie over Anne Sexton]<\/em><\/p>\n<p><!--- Had een dronken vader, die haar niet graag aan tafel zag zitten\n- Vond inspiratie in Heart's needle van Snodgrass, authentieke first person voice, light comes in through craft\n- Raakte bevriend met Maxine Kumin ('two shy housewives, a pair of closet poets')\n- Was writing with the urgency of a fugitive, aldus Maxine\n- Sparkte in gezelschap, stijlvolle kleding, flamboyant, goed in zelfpromotie, shy housewife valt wel mee\n- Leert what not to write, wat weg te laten, the leaps and boundaries, how to write like a man, van Robert Lowell\n- Volgens hem heb je gekookte en rauwe po\u00ebzie ---><br \/>\n<!--- Herbert Gold, Love or like, together with heart's needle sold in box for people who were getting divorced, or getting married (p. 119)\nVolges lowel heb je cooked and raw poetry ---><\/p>\n<p><!--- Drunk father, (verzonnen) sexual harrasment, dislikes her being at table\nDe Snodgrass influential poem heart's needle, confessional poetry, the light comes in trough the craft with him she found 'authentic first person voice' en 'making poetry a vehicle of autobiography, of self-analysis' (p. 82)\nmaxine kumin influential friend (twin 31, sexton 28 'two shy housewives, a pair of closet poets, in John Holmes\u2019s class' zegt MK 'There is no psychic distance between the poet and the poem; on the contrary, the poem is an almost tangible physical extension of the psyche, a kind of third hand or eye.' zegt MK over haar werk) studied poetry, validates her as a poet 'we ar, each of us, our own prisoner. We are locked up in our own story'.  'The tougher the form the easier it is for me to handle the poem, because the form gives permission to be very gut honest about feelings.\nMaxine Kumin' She was writing with the urgency of a fugitive. mk over anne sexton\nwin 3 ruth soter became friend when she didn't dare go alone (p. 80) 'stop thinking that you can avoid people with all your words \u2013 or even reach them with your words' (workshop ohio snodgrass)\nRobert Lowell leert haar what not to write, wat weg te laten, the leaps and boundaries, how to write like a man\nHerbert Gold, Love or like, together with heart's needle sold in box for people who were getting divorced, or getting married (p. 119)\nVolges lowel heb je cooked and raw poetry ---><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oh, honderd redenen om te schrijven, waarom schrijf je, elke dag een ander antwoord, zelden de vraag wat het iemand brengt. Anne Sexton (vul een andere schrijver in) schreef niet omdat ze dood wilde (goh, treurig!), ze bleef langer leven doordat ze schreef. [Woorden vullen je maag, niet je hoofd.] [Bij het lezen van een<a href=\"https:\/\/www.imhd.nl\/log\/schrijftheorie\/\" class=\"read-more\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[122],"tags":[2370,416,2434,493],"_links":{"self":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts\/54817"}],"collection":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/comments?post=54817"}],"version-history":[{"count":13,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts\/54817\/revisions"}],"predecessor-version":[{"id":56003,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts\/54817\/revisions\/56003"}],"wp:attachment":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/media?parent=54817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/categories?post=54817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/tags?post=54817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}