{"id":32232,"date":"2014-09-04T01:55:17","date_gmt":"2014-09-03T23:55:17","guid":{"rendered":"http:\/\/www.irmadriessen.nl\/log\/?p=32232"},"modified":"2014-09-04T01:55:17","modified_gmt":"2014-09-03T23:55:17","slug":"zonder-ziel","status":"publish","type":"post","link":"https:\/\/www.imhd.nl\/log\/zonder-ziel\/","title":{"rendered":"zonder ziel"},"content":{"rendered":"<p>Aristotle knew what he was talking about. &#8216;A woman is like a deformed man. She lacks an essential element: a soul.&#8217; Painting and sculpture were forbidden kingdoms for the beings without souls. In sixteenth-century Bologna, there were five hundred and twentyfive painters, one of whom was a woman. In the seventeenth century, the Acad\u00e9mie des Beaux-Arts of Paris had four hundred and fifty members, fifteen of whom were woman, all of them wives or daughters of male painters. In the nineteenth century, Suzanne Valadon was a market vendor, a circus acrobat, and a model for Toulouse-Lautrec. She used corsets made of carrots and shared her studio with a goat. That she was the first woman who dared to paint male nudes surprised no one. She had to be nuts. Erasmus of Rotterdam also knew what he was talking about: &#8216;A woman is always a woman, in other words, crazy.&#8217; <small>\u2013 Mirrors, stories of almost everyone, Eduardo Galeano (translated by Mark Fried)<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aristotle knew what he was talking about. &#8216;A woman is like a deformed man. She lacks an essential element: a soul.&#8217; Painting and sculpture were forbidden kingdoms for the beings without souls. In sixteenth-century Bologna, there were five hundred and twentyfive painters, one of whom was a woman. In the seventeenth century, the Acad\u00e9mie des<a href=\"https:\/\/www.imhd.nl\/log\/zonder-ziel\/\" class=\"read-more\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1014],"tags":[1029],"_links":{"self":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts\/32232"}],"collection":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/comments?post=32232"}],"version-history":[{"count":0,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts\/32232\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/media?parent=32232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/categories?post=32232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/tags?post=32232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}