{"id":22884,"date":"2012-06-26T12:16:24","date_gmt":"2012-06-26T10:16:24","guid":{"rendered":"http:\/\/www.irmadriessen.nl\/log\/?p=22884"},"modified":"2012-06-26T12:16:24","modified_gmt":"2012-06-26T10:16:24","slug":"echt-3","status":"publish","type":"post","link":"https:\/\/www.imhd.nl\/log\/echt-3\/","title":{"rendered":"echt"},"content":{"rendered":"

The Life and Death of Marina Abramovic<\/em><\/p>\n

Er is een vorm van echtheid die ontbreekt in theater. Daar zijn andere dingen echt. Een vrouw naast me stoort zich aan een vrouw die foto’s neemt. Het beeldschermpje geeft blauw licht. Het blauwe licht kan nergens heen behalve naar de vrouw achter haar \u2013 het veroorzaakt een rood waas. De vrouw naast me zou, tegenover Marina Abramovic aan tafel in New York, geen enkele keer met haar ogen knipperen: fotocamera moet uit. <\/p>\n

‘To be a performance artist, you have to hate theatre. Theatre is fake: there is a black box, you pay for a ticket, and you sit in the dark and see somebody playing somebody else\u2019s life. The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real. It\u2019s a very different concept. It\u2019s about true reality.’ <\/p>\n

We betaalden 70 euro voor een kaartje, de prijs van 50 echte broden. We zaten in het donker en zagen hoe Marina Abramovic het leven van iemand anders speelde (haar moeder). De slang was echt, de rook, de inktzwarte honden, Marina Abramovic, ze liet een masker vallen. Antony zong liedjes. Het was betoverend mooi. The emotions are not real! <\/p>\n

Vlak voor de pauze zat Abramovic hoog te paard. Partizanen liepen rond, ze zwaaiden met witte vlaggen, ze schreeuwden door megafoons. Leuzen klonken, de boventiteling toonde zinnen uit een manifest. Dingen die een kunstenaar moet doen en laten.<\/p>\n

1. An artist\u2019s conduct in his life:
\n\u2013 An artist should not lie to himself or others
\n\u2013 An artist should not steal ideas from other artists
\n\u2013 An artist should not compromise for themselves or in regards to the art market
\n\u2013 An artist should not kill other human beings
\n\u2013 An artist should not make themselves into an idol
\n\u2013 An artist should not make themselves into an idol
\n\u2013 An artist should not make themselves into an idol <\/p>\n

2. An artist\u2019s relation to his love life:
\n\u2013 An artist should avoid falling in love with another artist
\n\u2013 An artist should avoid falling in love with another artist
\n\u2013 An artist should avoid falling in love with another artist <\/p>\n

3. An artist\u2019s relation to the erotic:
\n\u2013 An artist should develop an erotic point of view on the world
\n\u2013 An artist should be erotic
\n\u2013 An artist should be erotic
\n\u2013 An artist should be erotic <\/p>\n

4. An artist\u2019s relation to suffering:
\n\u2013 An artist should suffer
\n\u2013 From the suffering comes the best work
\n\u2013 Suffering brings transformation
\n\u2013 Through the suffering an artist transcends their spirit
\n\u2013 Through the suffering an artist transcends their spirit
\n\u2013 Through the suffering an artist transcends their spirit <\/p>\n

5. An artist\u2019s relation to depression:
\n\u2013 An artist should not be depressed
\n\u2013 Depression is a disease and should be cured
\n\u2013 Depression is not productive for an artist
\n\u2013 Depression is not productive for an artist
\n\u2013 Depression is not productive for an artist <\/p>\n

6. An artist\u2019s relation to suicide:
\n\u2013 Suicide is a crime against life
\n\u2013 An artist should not commit suicide
\n\u2013 An artist should not commit suicide
\n\u2013 An artist should not commit suicide <\/p>\n

7. An artist\u2019s relation to inspiration:
\n\u2013 An artist should look deep inside themselves for inspiration
\n\u2013 The deeper they look inside themselves, the more universal they become
\n\u2013 The artist is universe
\n\u2013 The artist is universe
\n\u2013 The artist is universe <\/p>\n

8. An artist\u2019s relation to self-control:
\n\u2013 The artist should not have self-control about his life
\n\u2013 The artist should have total self-control about his work
\n\u2013 The artist should not have self-control about his life
\n\u2013 The artist should have total self-control about his work <\/p>\n

9. An artist\u2019s relation with transparency:
\n\u2013 The artist should give and receive at the same time
\n\u2013 Transparency means receptive
\n\u2013 Transparency means to give
\n\u2013 Transparency means to receive
\n\u2013 Transparency means receptive
\n\u2013 Transparency means to give
\n\u2013 Transparency means to receive
\n\u2013 Transparency means receptive
\n\u2013 Transparency means to give
\n\u2013 Transparency means to receive <\/p>\n

10. An artist\u2019s relation to symbols:
\n\u2013 An artist creates his own symbols
\n\u2013 Symbols are an artist\u2019s language
\n\u2013 The language must then be translated
\n\u2013 Sometimes it is difficult to find the key
\n\u2013 Sometimes it is difficult to find the key
\n\u2013 Sometimes it is difficult to find the key<\/p>\n

11. An artist\u2019s relation to silence:
\n\u2013 An artist has to understand silence
\n\u2013 An artist has to create a space for silence to enter his work
\n\u2013 Silence is like an island in the middle of a turbulent ocean
\n\u2013 Silence is like an island in the middle of a turbulent ocean
\n\u2013 Silence is like an island in the middle of a turbulent ocean <\/p>\n

12. An artist\u2019s relation to solitude:
\n\u2013 An artist must make time for the long periods of solitude
\n\u2013 Solitude is extremely important
\n\u2013 Away from home
\n\u2013 Away from the studio
\n\u2013 Away from family
\n\u2013 Away from friends
\n\u2013 An artist should stay for long periods of time at waterfalls
\n\u2013 An artist should stay for long periods of time at exploding volcanoes
\n\u2013 An artist should stay for long periods of time looking at the fast running rivers
\n\u2013 An artist should stay for long periods of time looking at the horizon where the ocean and sky meet
\n\u2013 An artist should stay for long periods of time looking at the stars in the night sky <\/p>\n

13. An artist\u2019s conduct in relation to work:
\n\u2013 An artist should avoid going to the studio every day
\n\u2013 An artist should not treat his work schedule as a bank employee does
\n\u2013 An artist should explore life and work only when an idea comes to him in a dream or during the day as a vision that arises as a surprise
\n\u2013 An artist should not repeat himself
\n\u2013 An artist should not overproduce
\n\u2013 An artist should avoid his own art pollution
\n\u2013 An artist should avoid his own art pollution
\n\u2013 An artist should avoid his own art pollution <\/p>\n

14. An artist\u2019s possessions:
\n\u2013 Buddhist monks advise that it is best to have nine possessions in their life:
\n1 robe for the summer
\n1 robe for the winter
\n1 pair of shoes
\n1 begging bowl for food
\n1 mosquito net
\n1 prayer book
\n1 umbrella
\n1 mat to sleep on
\n1 pair of glasses if needed
\n\u2013 An artist should decide for himself the minimum personal possessions they should have
\n\u2013 An artist should have more and more of less and less
\n\u2013 An artist should have more and more of less and less
\n\u2013 An artist should have more and more of less and less<\/p>\n

15. A list of an artist\u2019s friends:
\n\u2013 An artist should have friends that lift their spirits
\n\u2013 An artist should have friends that lift their spirits
\n\u2013 An artist should have friends that lift their spirits <\/p>\n

16. A list of an artist\u2019s enemies:
\n\u2013 Enemies are very important
\n\u2013 The Dalai Lama has said that it is easy to have compassion with friends but much more difficult to have compassion with enemies
\n\u2013 An artist has to learn to forgive
\n\u2013 An artist has to learn to forgive
\n\u2013 An artist has to learn to forgive <\/p>\n

17. Different death scenarios:
\n\u2013 An artist has to be aware of his own mortality
\n\u2013 For an artist, it is not only important how he lives his life but also how he dies
\n\u2013 An artist should look at the symbols of his work for the signs of different death scenarios
\n\u2013 An artist should die consciously without fear
\n\u2013 An artist should die consciously without fear
\n\u2013 An artist should die consciously without fear <\/p>\n

18. Different funeral scenarios:
\n\u2013 An artist should give instructions before the funeral so that everything is done the way he wants it
\n\u2013 The funeral is the artist\u2019s last art piece before leaving
\n\u2013 The funeral is the artist\u2019s last art piece before leaving
\n\u2013 The funeral is the artist\u2019s last art piece before leaving<\/p>\n

Die laatste regels vormen de sleutel tot de opera, denk ik. We woonden zojuist een begrafenisscenario bij. Marina Abramovic wil drie doodskisten. Een wereld boven de wolken (echte rook). <\/p>\n","protected":false},"excerpt":{"rendered":"

The Life and Death of Marina Abramovic Er is een vorm van echtheid die ontbreekt in theater. Daar zijn andere dingen echt. Een vrouw naast me stoort zich aan een vrouw die foto’s neemt. Het beeldschermpje geeft blauw licht. Het blauwe licht kan nergens heen behalve naar de vrouw achter haar \u2013 het veroorzaakt eenRead more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts\/22884"}],"collection":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/comments?post=22884"}],"version-history":[{"count":0,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/posts\/22884\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/media?parent=22884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/categories?post=22884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imhd.nl\/log\/wp-json\/wp\/v2\/tags?post=22884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}